Ein Übersetzung dieser Biografie folgt.
Magdalena Koená was born in the Czech city of Brno and studied voice and piano at the Brno Conservatory and later with Eva Bláhová at Bratislava’s Academy of Performing Arts. She has been awarded several major prizes both in the Czech Republic and internationally, culminating in the Sixth International Mozart Competition in Salzburg in 1995.
She was signed by Deutsche Grammophon in 1999 and immediately released her first album of Bach arias on its Archiv label. Her recital debut recording, an album of songs by Dvořák, Janáček and Martinů, appeared on Deutsche Grammophon’s yellow label in 2001 and was honoured with Gramophone’s Solo Vocal Award. She was named Artist of the Year by Gramophone in 2004 and has won numerous other awards since, including the Echo Award, Record Academy Prize, Tokyo, and Diapason d’or. Most recent releases for Deutsche Gramophon have included ‘Prayer’ for voice and organ with Christian Schmidt (2013) and ‘Love and longing’ with the Berliner Philharmoniker and Sir Simon Rattle (2012).
Koená has worked with many of the world’s leading conductors, Claudio Abbado, Pierre Boulez, Gustavo Dudamel, Sir John Eliot Gardiner, Bernard Haitink, Nikolaus Harnoncourt, Mariss Jansons, James Levine, Sir Charles Mackerras and Sir Roger Norrington. Her list of distinguished recital partners includes the pianists Daniel Barenboim, Yefim Bronfman, Malcolm Martineau, András Schiff and Mitsuko Uchida, with whom she has performed at such prestigious venues as Carnegie Hall, Wigmore Hall, Alice Tully Hall and the Amsterdam Concertgebouw, and at the Aldeburgh, Edinburgh and Salzburg festivals. Koená’s understanding of historical performance practices have been cultivated in collaboration with outstanding period-instrument ensembles, including the English Baroque Soloists, the Gabrieli Consort and Players, Il Giardino Armonico, Les Musiciens du Louvre, the Orchestra of the Age of Enlightenment, Venice Baroque Orchestra and La Cetra, Basel.
She is also in demand as soloist with the Berlin, Vienna and Czech Philharmonics and the Cleveland, Philadelphia and Royal Concertgebouw Orchestras. In April 2014 she performed Bach’s St John Passion at the Baden-Baden Festspielhaus with the Berliner Philharmoniker and joins the orchestra for a tour of Bach’s St Matthew Passion, including performances at the Lucerne Festival, BBC Proms and Carnegie Hall this Autumn.
Koená first performed at the Salzburg Festival in 2002 as Zerlina in Don Giovanni and returned in 2013 as Idamante at the Salzburg Easter Festival, a role she has also sung for the Glyndebourne Festival and in Berlin and Lucerne. Koená made her first appearance at New York’s Metropolitan Opera in 2003 as Cherubino in Mozart’s Le nozze di Figaro and has since been a regular guest. She sang Zerlina for the company’s tour to Japan in 2006 and returned to New York to take the title-role in Jonathan Miller’s production of Debussy’s Pelléas et Mélisande in 2010/11. Her opera credits also include Angelina in Rossini’s La Cenerentola (Royal Opera House, 2007), Oktavian in Richard Strauss’s Der Rosenkavalier (Berlin Staatsoper, 2009), Lazuli in Chabrier’s L’étoile (Berlin Staatsoper, 2010), and the title-role in Bizet’s Carmen (Salzburg Easter and Summer Festivals, 2012).
This season sees performances at the Gewandhaus, Leipzig, a European tour with La Cetra, Basel, and the Berliner Philharmoniker, the title role in Medee at Basel Opera, Oktavian in Der Rosenkavalier at Baden Baden Easter Festival and recitals with Mitsuko Uchida.
Koená was appointed a Chevalier de l'Ordre des Arts et des Lettres by the French government in 2003 for her services to French music. Foto: Harald Hoffmann, Deutsche Grammophon, 2014